Have you ever been reminded of an Abbott and Costello skit when talking with your three year old? Ever fallen down a rabbit hole of questions, only to hit the rock bottom of your ability to come up with an answer? If so, you have encountered the phenomenon that is the "Why?" stage. Where does this dizzying vortex of inquiry come from? And, more importantly, when will it stop?

"Get your shoes on, honey. We're going to the store."
"Why?"
"Because we need groceries."
"Why?"
"Because we ate up all our food."
"Why?"
"Because we were hungry."
"Why?"

Maria Montessori provides us with profound insight into the seismic shift in children's cognitive development that takes place around the third birthday. Before this milestone, infants and toddlers are "unconscious, absorbent" learners who acquire skills such as walking and talking without self-awareness or intention, by simply following their own innate desire for autonomy and imitating others in their environment. Around age three, however, they become "conscious" learners, who actively seek knowledge and master new skills through purposeful, deliberate inquiry and practice. It is around this time that many children stumble upon a magical word; one that elicits a seemingly endless wellspring of useful information from adults. Thus begins the litany: "Why? Why? Why?”

In truth, a child's "why?" is not the same question we ask as adults. Yes, children do crave our explanations as they seek to understand their world, but they are not necessarily expecting any elegant, logical, or scientific answers. More often, "why?" translates to: "I'm curious about this topic. I like it when you explain what will happen next. I cherish your attention and the love I feel from you when you talk to me. I want to hear all of the words you know so that I can learn how to use them, too. I want to use long sentences and have conversations, just like you do. Let's practice talking together!" Like a game of verbal ping-pong, each thread of "whys" and responses helps children develop engaging, socially adept conversation skills that will serve them well throughout their lives.

For a great perspective on the whys behind "why," click here for a great article from child psychologist Dr. Alan Green. And to learn more about Montessori's research on the developing brain, please visit our Parent Resource Library, or ask your child's teacher at GMS. (Why? Because we love talking about this stuff.)

If you are a parent of a Primary student then you may have wondered about the square pieces of paper with tracings of geometric shapes that your child brings home in her work folder. When she tells you what it is, you may ask her to repeat herself because it sounds like she is calling them "metal insects." Secretly, you think to yourself, "funny, these don't look anything like insects." And you would be right!

These designs are made with a fundamental Montessori material known as the Metal Insets. 

The Metal Insets, predominantly found in the Primary and Lower Elementary classrooms, are used to develop a core set of skills that build upon one another in sequence.  In the Primary classroom, this material is the first direct preparation for handwriting. The introduction to the Metal Insets usually follows a lot of indirect preparation for handwriting that is developed through the use of the Practical Life materials and the Sensorial materials (e.g. the three finger pincer grasp used with the small tongs, eye dropper, and knobbed cylinders aids the child in correct pencil grip).

"In this way...children perfect themselves in writing without actually writing." - Dr. Maria Montessori, The Montessori Method

Becoming proficient in using a writing instrument is a long process. When children work with the Metal Insets, they engage and practice a host of fine motor skills including lightness of touch, evenness of pressure, continuity of line, and control of line.  Not to mention, this work also aids children in the development of concentration, memory and a sense of order (all necessary for executive function).

The physical material that is displayed on the shelf is both beautiful and organized in appearance. The Metal Inset materials consist of ten geometric shapes that each fit into a corresponding metal frame (like a puzzle piece). There are five straight-lined figures and five curve-lined figures:  square, triangle, rectangle, pentagon, trapezium, circle, oval, ellipse, curvilinear triangle, and quatrefoil. The shapes correspond directly to the curves and angles found in the letters of the alphabet.

Beyond preparing and strengthening the hand for handwriting, there are 7 different presentations of Metal Insets that increase with difficulty starting with the simple tracing of shapes to the gradation, design and superimposition of shapes and colors. Lower Elementary students often revel in making intricate patterns by combining the shapes and observing their geometric proportions and relationships to one another, laying the foundation for true work in geometry.

Click here to learn more about the Metal Insets on www.montessorium.com